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Shao Yanmei, a professor of linguistics and applied linguistics at Shandong Normal University, said in an interview that according to the provisions of the Chinese Pinyin Scheme,"O" is a vowel.The position of the tongue and the shape of the lips cannot be changed when pronouncing.. She introduced that "oh" has two sounds in Modern Chinese Dictionary: one is equivalent to "oh", and the other is "describing the cock’s crowing sound", and the other is reading.“wō”Obviously, as the "cock crows", "Oh" is aCompound vowel (compound vowel) "uo"Instead of the single vowel (single vowel) "o".

Shao Yanmei said, why do many people think that the pronunciation of "o" in the Chinese Pinyin Scheme is "uo"? There should be two reasons:

When teaching Chinese Pinyin in primary school textbooks, it is customary to draw a rooster next to the "O" and mark it with "Woo Woo".

According to the news released by the Beijing Municipal Education Commission, the compound vowel "uo" and the single vowel "o" belong to the same phoneme, which makes these two vowels have similarities.The probability of combining "uo" with initials is much higher than that of "o", so the sound of "uo" is more easily activated by cognition..

The pronunciation of "o" has been discussed before. In the current education process, most teachers teach children to read "O" and "Europe".

Regarding the pronunciation of "O", a reporter interviewed language experts in Guangdong universities and primary schools in Guangzhou. The survey found that elementary schools in Guangzhou generally teach "Oh".

Lian Chunzhao, a professor at the School of Arts of South China Normal University and head of the Department of Chinese Linguistics, said that "O" should be pronounced "Oh". She analyzed thatNo matter how you pronounce "Ou" or "Wo", they are all compound vowels, and there is a movement when you pronounce them."ou" is ou, and the tongue position slides from half height to high; The "nest" is uo, and the tongue slides in the opposite direction, from high to half-high. And "O" is a single vowel, and the tongue position, lip shape and opening are always the same when pronounced.

Qi Ling, vice president of the Second Experimental Primary School in Haizhu District, said,"According to our pinyin teaching habits in southern China for many years, we all read’ Oh’, but we also have some Chinese teachers from the north who used to read’ Ou’."

Wang Leiying, a Chinese teacher at Huayang Primary School, said that "O" is pronounced "Oh". However, she has also heard students pronounce "Wo", which was taught by their mothers from the northeast, and that’s how students’ mothers used to learn it. Wang Leiying said, "If reading’ ou’ is similar to the pronunciation of’ o’ of English letters, students will not be able to distinguish Pinyin from the pronunciation of 26 English letters.

Peng Wenying, a senior Chinese teacher and deputy director of teaching at Zhongxing Primary School in Yuexiu District, told reporters that some children will pronounce "Europe" because they learned English in advance and were influenced by English to pronounce "O" as "Europe". In this regard, the school will take the methods of reading by train, individual reading and solitaire reading in the first grade Chinese class to detect and correct each child’s pronunciation, and will also consolidate pronunciation through activities such as letter practice contests.

After investigation, the reporter found that "Oh" is generally taught in primary schools in Guangzhou, and it has remained consistent for decades without confusion. In addition, some linguists pointed out that reading "ou" cannot be used as an "authoritative statement" andIt is suggested that audio or video should be added to the teaching standard of Chinese Pinyin Scheme for more intuitive guidance..

1905 movie network news Directed by Sun Zhou, starring Allen, Wang Zhi and Luno, and starring Yam Tat-wah, Jin Shijie and Pan Binlong, The Comedy on Earth will be released nationwide on March 29th. Recently, Allen and Li Jiaqi, the first lipstick brother, have a wonderful live broadcast. In the live broadcast, Allen accepted many tests, exchanged lipstick with Li Jiaqi, and remotely picked "bitch color" for Wang Zhi … … During the period, fans interacted enthusiastically and praised over 6.15 million.

At the beginning of the live broadcast, Li Jiaqi, the first brother of lipstick, brought the ultimate test of lipstick. There were many problems in price, color and texture, which made Allen, the "straight man of steel", look reluctant and shy frequently, and the number of barrage interactions soared due to funny reactions. Allen, on the other hand, was highly praised by Li Jiaqi, the "first brother of lipstick", and could consider becoming a beauty blogger.

When Allen meets dead Barbie powder, "it may be put on and she will die", which is simply invincible. Incidentally, I also praised Li Jiaqi for "I’ve seen you paint this, and it looks very nice", and they exchanged blows with each other very seriously.

Hard-core Allen uniform lipstick "Devil" Li Jiaqi recommended bitch color for Wang Zhi.

Allen and Li Jiaqi put lipstick on each other to set off the barrage, and straight man Allen made her beauty debut, wearing a "green" uniform of "devil" Li Jiaqi, looking like a doctor on the operating table, holding lipstick and saying "Ah, (open your mouth)" to Li Jiaqi. Li Jiaqi carefully selected the most popular blood orange number for Allen and painted it himself, which made fans very moved.

On the way to the live broadcast, Allen did not forget his wife, Wang Zhi, in "Comedy on Earth" and invited Li Jiaqi to pick the color number for Wang Zhi. In the film, Pu Tong (Allen) and Mi Mi (Wang Zhi), a coward, accept the pressure of life and meet several "old drivers" by accident. Allen also describes Mi Mi as a shrew in vernacular, asking Li Jiaqi if she is a shrew and has no desire to survive.

　

The film Human Comedy will be shown nationwide this Friday.

1905 movie network news Recently, the film directed by was officially released, and a special edition of "Chewing Well" was released. The film tells the story of Gao Zhilei (Xú Zhēng) who turned his family’s love into the courage to move forward after he lost his job, chose to be a takeaway and set off again. With a relaxed narrative intertwined with tears and laughter, this warm, moving and powerful story was truly unfolded, which made people empathize with it and resonate with it, and ignited the hope of life after laughing and crying!

In the special edition, "warm healing", "laughter and tears", "true portrayal", "gaining strength" and "very strong empathy" have become the most frequently mentioned keywords of the audience. Everyone is not only moved by the story, but also infected by the optimistic attitude of the character.

The film "Retrograde Life" was directed by Xú Zhēng, and was written by Xú Zhēng, Xú Zhēng, starring in the film, starring in the film, with special introduction and friendship. The film is being shown all over the country!

Aspect 1: Starting from the heart, Xú Zhēng’s new realistic works are dedicated to the "hurrying people" from all walks of life.

The film "Retrograde Life" is another sincere work of realism polished by director Xú Zhēng. In the film, Gao Zhilei (Xú Zhēng) chooses to become a takeaway after experiencing unemployment, and regains love and hope on the way to start again.

In the previous roadshow, Director Xú Zhēng shared the original intention of choosing the "take-away industry" to start this story, saying that it is an industry closely related to everyone and every family, and there are also touching stories behind those take-away knights who have had close contact with you and me.The protagonist of the film is not only Gao zhilei and the take-away team who walks side by side with him, but also every "passer-by" who runs hard in all walks of life for himself, his family and his life.

Aspect 2: Happiness heals and burns easily, and explains the optimistic background of life with laughter.

The film "Retrograde Life" is decorated with light and humorous jokes, creating a relaxed and healing atmosphere and profoundly interpreting the optimistic life background.

In the film, stationmaster Zhu’s phrase "We have no other discrimination here, only take-away knights" is a pun, which conveys the movie theme that "everyone in all walks of life who strives for a better life by their own efforts deserves to be respected" in a light way. The identity of stationmaster Zhu, the second security captain and the second take-away stationmaster, is reversed, which also presents his positive attitude of "doing a line and loving a line".A series of stories with laughter and tiredness show us that everyone who works hard is discovering and looking for the little beauty in life in his own way.

Aspect 3: The acting is sincere. The vivid group of "Life Team" pays tribute to the "Life Knight" who is busy on the road.

The film is not only seeking truth and detail in the early preparation and shooting process, but also the life-flow performance of the actors is sincere and moving. The vivid group image of the "Life Team" at the takeaway station, which is full of flesh and blood and helps each other, entered the audience’s heart in the story of laughter and tears.

Lawrence Wang, the "master of saving money" Lao Diao, fills the stable future of the small family and children with unreserved love in sewing and mending, and interprets a "knight" who is optimistic about life vividly and deeply rooted in the hearts of the people. Jia Bing plays the stationmaster Zhu of the takeaway station, trying to lead everyone to a better life, and silently caring for every running takeaway knight. The unique humorous performance of "one sentence and one burden" makes this stationmaster brother full of "Jianghu spirit" not only warm his fellow riders, but also infect you and me in front of the screen with a positive attitude.

Da Hei, played by Feng Bing, is a "chivalrous" single king. Under his strong appearance, he has a warm and soft heart, and he also has his own life to protect on the stormy road. Dan Wang Da Hei is Feng Bing’s first "positive role", and he will prepare "unique skills" for Da Hei before shooting every scene. Yang Dashan, the knight who pursues love, played by Wu Jiakai, and Qiu Xiaomin, the invincible mother, played by Mikan Ryu, also vividly presented the positive life momentum of young people and became the "fade essence" to cure many audiences.

Aspect 4: Home is the bottom line. When running against the wind, family love is the courage to move forward firmly.

In the film "Retrograde Life", Gao Zhilei started again with the love of his family, and also made more friends with families in the same boat. In the warm interpretation of "home", the film conveys the common strength among thousands of small families in Qian Qian, that is, the "unwavering love" from their families.

In Gao zhilei’s family, Xiao Ni, played by Xin Zhilei, gently encourages her lover that "home is the bottom line" when the family goes against the wind; Ding Yongdai, the high father, never understood and fully supported Gao Zhilei, a middle-aged unemployed man. The high mother played by Ding Jiali shows her mother’s unconditional support for her children and her feelings of constant distress. Chen Halin’s daughter Jia Jia, whose warm-hearted encouragement to her father made many viewers red-eyed.

More than that, the picture of the old man’s family closely dependent on each other in a simple but warm home, and the rider’s mother Qiu Xiaomin taking her children all the way forward in the rain also shows the happiness of the family.

　

lookPoint 5: Show the warmth and goodwill between people in a delicate emotional life.

After Gao zhilei was laid off from his job, the film started a bittersweet life from the perspective of the takeaway team. Under the erosion of the wind and rain in reality, the warmth and goodwill between those people will leave a touching trace forever.

The little yellow flower and dahei, which Lao Cai gave to him when he was helped home by Gao Zhilei after being injured, gave the "Single King’s Secret Book" he wrote down to Gao Zhilei, just to help more take-away knights and raincoats that Gao Zhilei gave to Qiu Xiaomin and his children in the rain … These moments contained in ordinary life have great energy because of warmth.These delicate descriptions of emotions, because they come from life, can make you and I feel the same.

Aspect 6: Reality resonates, laughter and tears interweave, igniting adversity and starting again.

"Give yourself a five-star praise for your hard work" is the healing power that the film has always wanted to convey to the audience. Life may inevitably have storms, but what is more important is what attitude we should take to start again.The film just wants to use Gao Zhilei to experience unemployment, turn family love into courage, and become a takeaway to pick up the story of hope again, and pass this "life strength ignited in adversity" to everyone who is positive or retrograde or confused.

Those lines in the film that make people feel deeply resonant also bring emotion and hope to many viewers. The words "We have worked hard enough, and we deserve a better life" said by Gao Zhilie with red eyes, and the struggling cry of Dahei "I just want to live a better life today than yesterday" all revealed the true background of life in these two hours of laughter and tears, and comforted everyone who struggled for their families, ran for tomorrow and shouted for themselves like them.

Special feature of 1905 film network In the hit drama "Their Names", the new character is called "Lei Li". As the name implies, she is a highly effective, independent and powerful "female tyrant".

Different from the images of strong women in previous dramas, thunder particles outside the workplace also have a lovely and fragile side.

Amanda interprets it this way: "I don’t want her to be a bully or an independent woman in the sense of labels. She should be vivid and lively."

This attitude of taking the initiative to tear off the label and break the "shackles" is also the theme that the whole drama wants to express: through the process of three female characters of different ages and different circumstances, they can regain themselves through thorns and convey a brand-new thinking on the topic of urban women.

Outside the play, Amanda also refuses to be bound by "labels". She is the queen of literary films, recognized as a powerful school, and can also be the happy wife of innocent girl in variety shows.

Nowadays, Amanda chooses to define his life state with "casualness": he chooses his favorite role and enjoys the pleasure brought by the performance.

She bluntly said that she has no so-called "age anxiety" at all: "Every age has its own unique beauty. Don’t miss the past, but find your own beauty in the present."

Tear off the label of "strong woman"

"I never want to be a strong woman, and I don’t want to be a label in the eyes of others."

This classic line tells the personality characteristics of Lei Li. On the surface, she is a strong woman with unlimited scenery and independent determination, but in private, she is a sweet and salty personality.

Amanda admits that due to the different growth environment and professional background, there are not many "intersections" between himself and Lei Li: "First of all, I am not a female tyrant; Second, I am married; Third, I am not as wise as her, and my language organization is so meticulous and accurate. "

However, this does not hinder her interpretation and appreciation of the role. She likes the wisdom and strength that Lei Li exudes from the inside out, which is rare in past works. "Many times female roles are soft, weak and sad, so it is difficult for women full of energy to meet."

If we say that we appreciate Lei Li more than we feel the same way, Amanda has gained more resonance in her role as a stay-at-home housewife, Ren Duomei.

"Her emotional intelligence is very high, which really explains what’ running a family’ is. I am still very useful in the way family members get along."

As for Shen Jianan, played by Wei Wei, Amanda concluded that she is a representative of the "straight ball girl", and she hopes to be simple and direct in both work and feelings. This straightforward attitude is also worth learning from women.

As Amanda said, the unique personality charm and realistic texture of the three heroines are the most attractive places of the script. "This is a very current realistic work, and several types of people are very typical, and the description is also very direct, which has a cool drama."

Talking about the recent popularity of women’s group drama, Amanda said that on the one hand, it is a good thing that more works begin to pay attention to women’s themes and show women’s unknown hardships and problems in the workplace.

On the other hand, in the benign competition of all kinds of works with the same theme, writers and actors are also required to create more rich, real and three-dimensional roles. "They are all strong women, and who can perform different things is really a great challenge for actors, but it is also a requirement of the audience for actors."

Every age has its own unique beauty.

Encouraging women to tear off labels and break the shackles is the theme that Their Names wants to convey. However, in Amanda’s view, "label" is a neutral word, which can quickly show a person’s characteristics and easily become solidified and restricted.

"Everyone is multifaceted and three-dimensional. Tearing off the label is to hope that others can learn more about you. At the same time, you can also find your own space and show a richer self. "

Indeed, looking back at Amanda’s acting experience, it is difficult to define and interpret her with a certain "label". From actress to screenwriter and director, from opera to film and television to stage and variety show, she is always exploring her own different possibilities.

Amanda, who came from a literary family, originally studied Peking Opera, focusing on Dao Ma Hua Dan. Later, he was admitted to the Department of Chinese Opera Performance, and thus formed an indissoluble bond with the drama stage.

At the age of 22, Amanda’s first film was successfully selected for the Venice International Film Festival, and she won several best actress trophies. With such a high starting point, she naturally became a talented actress in the eyes of the public.

Next, she created many impressive roles in the movie Fly Like a Chicken Feather, TV series Red Sorghum, White Deer Plain and Dressing Taiwan.

In The Piano of Steel, Shu Zhen, played by Amanda, is tenacious and tender, full of fireworks and true temperament of northeast women.

Off-stage, when the director met with financial difficulties, she also helped her out of her own pocket to make the film complete. In the end, Piano of Steel won 57 international awards and became one of Amanda’s masterpieces.

In "Red Sorghum", she is a single eldest sister-in-law with a "chastity archway". Her appearance is unyielding and strong, and she only reveals sadness and loneliness in the dead of night. Amanda’s performance is three-dimensional and exquisite, which is moving.

On the Cliff, Wang Yu, who has multiple identities, such as agent, wife and mother, gave Amanda ample performance space.

After learning that her husband was arrested, in the face of the enemy’s surveillance, she could only hide in the toilet to vent her emotions, crying but gritting her teeth. This silent crying scene was regarded as "textbook level" by many viewers, which made people feel emotional and empathetic.

Speaking of acting, Amanda said that talent is important, but talent is not the advantage of appearance, but the understanding and expression ability of the actors.

She considers herself a "rational" actress and needs a lot of time to ponder and prepare for the role. "The drama is bigger than the sky. You must have a serious creative heart, mobilize all your life experiences and feelings, put them into a role, and work hard for a play, so that you can gain the recognition of the audience."

From being the early "queen of literary films" to winning drama awards with her cooperation in Red Roses and White Roses, Four Generations under One roof and Green Snake, and then appearing frequently in high-scoring TV series, Amanda said that the criterion for choosing roles is not the size of the stage and the number of plays, but whether she likes it or not, and whether she is full of pleasure and sense of accomplishment in the process.

"I also don’t film for a year, because I can’t see my favorite script, so I won’t play it. So you see that each of my roles spans a lot, just because I believe that if you like or dislike a thing, the result will be different. "

Just last month, Amanda celebrated his 44th birthday. She chose to define the current state of life with "casualness". "Age anxiety is unnecessary, and every age has its own unique beauty."

Just like the one who just won the Best Actress in Beijing International Film Festival, at the age of 84, Amanda, as a judge, still maintained her creative enthusiasm and elegant state, which made her feel a lot.

At the end of the interview, she smiled at us and said, "If only I could play until I was 80!"